(…) There lies the singular intelligence of Operation Romeo, and of its author, the contemporary Slovak Viliam Klimaek : the plot, the characters constantly thwart our expectations, avoiding what they seem to be. The father, embodied with sobriety by Marc Wyseur, a silent and dignified dissident ? The son, excellent in the guise of Thomas Silberstein, a fiery and willful boy ? The mother, tall Claire Vidoni, light and unifying ? Its three characters, who still live during the first scenes in their purgatory, will unmask themselves in their falls. semi-darkness. Way to accentuate the trouble of the Faustian pact that the men of the Party establish above this apparently uneventful family. Transfuge_Oriane Jeancourt Galignani

The staging and the acting of the actors marry the interior layout of the protagonists who slowly but inexorably reveals the sparks that will set fire to the hearth. (…)

Here is a piece of great sensitivity, captured with skill by the director and the actors, without ostentation, with simplicity, at the feet of our small human scale, the only one which in our opinion will topple the Tower of Babel. Theater in the wind_Evelyne Trân

The subject is harsh and the actors invent with talent simple characters that are lost in the communist machine and crushed by domestic and civil fascism. Everyone finds their recipe both bitter and misleading. (…) Claire Vidoni the mother is moving and Thomas Silberstein, already spotted in a rock and roll Romeo and Juliet, embodies with talent the son, the one who harbors all the hopes before giving in and renewing fascism. Whole Culture.com_David Rofé-Sarfati